前言：中文期刊網(wǎng)精心挑選了勇敢的小裁縫范文供你參考和學(xué)習(xí)，希望我們的參考范文能激發(fā)你的文章創(chuàng)作靈感，歡迎閱讀。

勇敢的小裁縫范文1

Jacob and Wilhelm Grimm

One summer morning a little tailor was sitting on his table near the window. In good spirits, he was sewing with all his might. A peasant woman came down the street crying, "Good jam for sale! Good jam for sale!" That sounded good to the little tailor, so he stuck his dainty head out the window and shouted, "Come up here, my dear woman! You can sell your goods here!"

The woman carried her heavy basket up the three flights of stairs to the tailor, who had her unpack all of her jars. He examined them, picking each one up and holding it to his nose. Finally he said, "This jam looks good to me. Weigh out four ounces for me, even if it comes to a quarter pound."

The woman, who had hoped to make a good sale, gave him what he asked for, then went away angry and grumbling.

"May God bless this jam to give me health and strength," said the little tailor. Then taking a loaf of bread from his cupboard, he cut himself a large slice and spread it with the jam. "That is not going to taste bad," he said, "but I will finish the jacket before I bite into it."

He laid the bread aside and continued his sewing, happily making his stitches larger and larger. Meanwhile the smell of the sweet jam rose to the wall where a large number of flies were sitting. Attracted by the smell, a swarm of them settled onto the bread.

"Hey! Who invited you?" said the little tailor, driving away the unbidden guests. However, the flies, who did not understand German, would not be turned away, and they came back in ever-increasing numbers. Finally, losing his temper, he reached for a piece of cloth and shouted, "Wait, now I'm going to give it to you!" then hit at them without mercy. When he backed off and counted, there were no fewer than seven of them lying dead before him, with their legs stretched out.

"Aren't you someone?" he said to himself, surprised at his own bravery. The whole town shall hear about this." He hastily cut out a banner for himself, then embroidered on it with large letters, Seven with one blow. "The town?" he said further. "The whole world shall hear about this!" And his heart jumped for joy like a lamb's tail.

The tailor tied the banner around his body and set forth into the world, for he thought that his workshop was too small for such bravery. Before leaving he looked about his house for something that he could take with him. Finding nothing but a piece of old cheese, he put that into his pocket. Outside the town gate he found a bird that was caught in a bush. It went into his pocket with the cheese.

He bravely took to the road, and being light and agile he did not grow weary. The road led him up a mountain, and when he reached the top a huge giant was sitting there, looking around contentedly.

The little tailor went up to him cheerfully and said, "Good day, comrade. Are you just sitting here looking at the wide world? I am on my way out there to prove myself. Do you want to come with me?"

The giant looked at the tailor with contempt, saying, "You wretch! You miserable fellow!"

"You don't say!" answered the little tailor. Unbuttoning his coat, he showed the banner to the giant. "You can read what kind of man I am."

The giant read Seven with one blow, and thinking that the tailor had killed seven men, he gained some respect for the little fellow. But he did want to put him to the test, so he picked up a stone and squeezed it with his hand until water dripped from it.

"Do what I just did," said the giant, "if you have the strength."

"Is that all?" said the little tailor. "That is child's play for someone like me." Reaching into his pocket he pulled out the soft cheese and squeezed it until liquid ran from it. "That was even better, wasn't it?" he said.

The giant did not know what to say, for he did not believe the little man. Then the giant picked up a stone and threw it so high that it could scarcely be seen. "Now, you little dwarf, do that."

"A good throw," said the tailor, "but the stone did fall back to earth. I'll throw one for you that will not come back." He reached into his pocket, pulled out the bird, and threw it into the air. Happy to be free, the bird flew up and away, and did not come back. "How did you like that, comrade?" asked the tailor.

"You can throw well enough," said the giant, but now let's see if you are able to carry anything proper." He led the little tailor to a mighty oak tree that had been cut down and was lying on the ground. He said, "If you are strong enough, then help me carry this tree out of the woods."

"Gladly," answered the little man. "You take the trunk on your shoulder, and I will carry the branches and twigs. After all, they are the heaviest."

The giant lifted the trunk onto his shoulder, but the tailor sat down on a branch, and the giant, who could not see behind himself, had to drag long the entire tree, with the little tailor sitting on top. Cheerful and in good spirits, he whistled the song "There Were Three Tailors Who Rode Out to the Gate," as though carrying a tree were child's play.

The giant, after dragging the heavy load a little way, could not go any further, and he called out, "Listen, I have to drop the tree."

The tailor jumped down agilely, took hold of the tree with both arms, as though he had been carrying it, and said to the giant, "You are such a big fellow, and you can't even carry a tree."

They walked on together until they came to a cherry tree. The giant took hold of the treetop where the ripest fruit was hanging, bent it down, and put it into the tailor's hand, inviting him to eat. However, the little tailor was much too weak to hold the tree, and when the giant let go, the tree sprang upward, throwing the tailor into the air. When he fell back to earth, without injury, the giant said, "What? You don't have enough strength to hold that little switch?"

"There is no lack of strength," answered the little tailor. "Do you think that that would be a problem for someone who killed seven with one blow? I jumped over the tree because hunters are shooting down there in the brush. Jump over it yourself, if you can."

The giant made the attempt, but could not clear the tree and got stuck in the branches. So the little tailor kept the upper hand here as well.

The giant said, "If you are such a brave fellow, then come with me to our cave and spend the night with us."

The little tailor agreed and followed him. When they reached the cave, other giants were sitting there by a fire. Each one had a roasted sheep in his hand and was eating from it. The little tailor looked around and thought, "It is a lot more roomy here than in my workshop.

The giant showed him a bed and told him to lie down and go to sleep. However, the little tailor found the bed too large, so instead of lying there he crept into a corner. At midnight the giant thought that the little tailor was fast asleep, so he got up, took a large iron bar, and with a single blow smashed the bed in two. He thought he had put an end to the grasshopper.

Early the next morning the giants went into the woods, having completely forgotten the little tailor, when he suddenly approached them cheerfully and boldly. Fearing that he would strike them all dead, the terrified giants ran away in haste.

The little tailor continued on his way, always following his pointed nose. After wandering a long time, he came to the courtyard of a royal palace, and being tired, he lay down in the grass and fell asleep. While he was lying there people came and looked at him from all sides, and they read his banner, Seven with one blow.

"Oh," they said, "what is this great war hero doing here in the midst of peace? He must be a powerful lord."

They went and reported him to the king, thinking that if war were to break out, he would be an important and useful man who at any price should not be allowed to go elsewhere. The king was pleased with this advice, and he sent one of his courtiers to the little tailor to offer him a position in the army, as soon as he woke up.

The messenger stood by the sleeper and waited until he stretched his arms and legs and opened his eyes, and then he delivered his offer.

"That is precisely why I came here," answered the little tailor. "I am ready to enter the king's service." Thus he was received with honor and given a special place to live.

However, the soldiers were opposed to the little tailor, and wished that he were a thousand miles away. "What will happen," they said among themselves, "if we quarrel with him, and he strikes out against us? Seven of us will fall with each blow. People like us can't stand up to that."

So they came to a decision, and all together they went to the king and asked to be released. "We were not made," they said, "to stand up to a man who kills seven with one blow."

The king was sad that he was going to lose all his faithful servants because of one man, and he wished that he had never seen him. He would like to be rid of him, but he did not dare dismiss him, because he was afraid that he would kill him and all his people and then set himself on the royal throne.

He thought long and hard, and finally found an answer. He sent a message to the little tailor, informing him that because he was such a great war hero he would make him an offer. In a forest in his country there lived two giants who were causing great damage with robbery, murder, pillage, and arson. No one could approach them without placing himself in mortal danger. If he could conquer and kill these two giants, the king would give him his only daughter to wife and half his kingdom for a dowry. Furthermore, a hundred horsemen would go with him for support.

"That is something for a man like you," thought the little tailor. "It is not every day that someone is offered a beautiful princess and half a kingdom."

"Yes," he replied. "I shall conquer the giants, but I do not need the hundred horsemen. Anyone who can strike down seven with one blow has no cause to be afraid of two."

The little tailor set forth, and the hundred horsemen followed him. At the edge of the forest, he said to them, "You stay here. I shall take care of the giants myself."

Leaping into the woods, he looked to the left and to the right. He soon saw the two giants. They were lying asleep under a tree, snoring until the branches bent up and down. The little tailor, not lazy, filled both pockets with stones and climbed the tree. Once in the middle of the tree, he slid out on a branch until he was seated right above the sleepers. Then he dropped one stone after another onto one of the giant's chest. For a long time the giant did not feel anything, but finally he woke up, shoved his companion, and said, "Why are you hitting me?"

"You are dreaming," said the other one. "I am not hitting you."

They fell asleep again, and the tailor threw a stone at the second one.

"What is this?" said the other one. "Why are you throwing things at me?"

"I am not throwing anything at you," answered the first one, grumbling.

They quarreled for a while, but because they were tired, they made peace, and they both closed their eyes again. Then the little tailor began his game again. Choosing his largest stone, he threw it at the first giant with all his strength, hitting him in the chest.

"That is too mean!" shouted the giant, then jumped up like a madman and pushed his companion against the tree, until it shook. The other one paid him back in kind, and they became so angry that they pulled up trees and struck at each other until finally, at the same time, they both fell to the ground dead.

Then the little tailor jumped down. "It is fortunate," he said, "that they did not pull up the tree where I was sitting, or I would have had to jump into another one like a squirrel. But people like me are nimble."

Drawing his sword, he gave each one a few good blows to the chest, then went back to the horsemen and said, "The work is done. I finished off both of them, but it was hard. In their need they pulled up trees to defend themselves. But it didn't help them, not against someone like me who kills seven with one blow."

"Are you not wounded?" asked the horsemen.

"Everything is all right," answered the tailor. "They did not so much as bend one of my hairs."

Not wanting to believe him, the horesemen rode into the woods. There they found the giants swimming in their own blood, and all around lay the uprooted trees.

The little tailor asked the king for the promised reward, but the latter regretted the promise, and once again he began to think of a way to get the hero off his neck. "Before you receive my daughter and half the kingdom," he said, "you must fulfill another heroic deed. In the woods there is a unicorn that is causing much damage. First you must capture it.

"I am even less afraid of a unicorn than I was of two giants. Seven with one blow, that is my thing."

Taking a rope and an ax, he went into the woods. Once again he told those who went with him to wait behind. He did not have to look very long. The unicorn soon appeared, leaping toward the tailor as if it wanted to spear him at once.

"Gently, gently," said the tailor. "Not so fast." He stopped, waited until the animal was very near, then jumped agilely behind a tree. The unicorn ran with all its might into the tree, sticking its horn so tightly into the trunk that it did not have enough strength to pull it out again, and thus it was captured.

"Now I have the little bird," said the tailor, coming out from behind the tree. First he tied the rope around the unicorn's neck, then he cut the horn out of the tree with the ax. When everything was ready, he led the animal away and brought it to the king.

The king still did not want to give him the promised reward and presented a third requirement. Before the wedding, the tailor was to capture a wild boar that was causing great damage in the woods. Huntsmen were to assist him.

"Gladly," said the tailor. "That is child's play."

He did not take the huntsmen into woods with him, and they were glad about that, for they had encountered the wild boar before and had no desire to do so again.

When the boar saw the tailor he ran toward him with foaming mouth and grinding teeth, wanting to throw him to the ground. But the nimble hero ran into a nearby chapel, then with one leap jumped back out through a window. The boar ran in after him, but the tailor ran around outside and slammed the door. Thus the furious animal was captured, for it was too heavy and clumsy to jump out the window. The little tailor called to the huntsmen. They had to see the captured boar with their own eyes.

The hero reported to the king, who now —— whether he wanted to or not —— had to keep his promise and give him his daughter and half the kingdom. If he had known that it was not a war hero, but rather a little tailor standing before him, it would have been even more painful for him. The wedding was thus held with great ceremony but little joy, and a king was made from a tailor.

Some time later the young queen heard in the night how her husband said in a dream, "Boy, make the jacket for me, and patch the trousers, or I will hit you across your ears with a yardstick." Thus she determined where the young lord had come from. The next morning she brought her complaint to her father, asking him to help her get rid of the man, who was nothing more than a tailor.

The king comforted her, saying, "Tonight leave your bedroom door unlocked. My servants will stand outside, and after he falls asleep they will go inside, bind him, and carry him to a ship that will take him far away from here."

The wife was satisfied with this. However, the king's squire, who had a liking for the young lord, heard everything and revealed the whole plot to him.

"I'll put a stop to that," said the little tailor. That evening he went to bed with his wife at the usual time. When she thought he was asleep she got up, opened the door, and then went back to bed. The little tailor, who was only pretending to be asleep, began crying out with a clear voice, "Boy, make the jacket for me, and patch the trousers, or I will hit you across your ears with a yardstick! I have struck down seven with one blow, killed two giants, led away a unicorn, and captured a wild boar, and I am supposed to be afraid of those who are standing just outside the bedroom!"

When those standing outside heard the tailor say this, they were so overcome with fear that they ran away, as though the wild horde was behind them. None of them dared to approach him ever again.

Thus the little tailor was a king, and he remained a king as long as he lived.#p#

夏季一個陽光明媚的早晨，一個小裁縫坐在靠窗的臺子旁，竭盡全力地做著手中活兒。這時，街上走來一個農(nóng)家婦女，邊走邊吆喝：「買果醬啦！物美價廉呀！小裁縫覺得這聲音挺悅耳，於是就將一頭卷發(fā)的腦袋伸出了窗外，喊叫道：

「上這兒來吧，親愛的太太，您的貨這兒有人要！

農(nóng)婦手提沉甸甸的籃子，跨上臺階，來到小裁縫跟前，按照他的吩咐打開一只又一只的罐子。小裁縫挨個仔細(xì)察看，還把罐子舉到鼻子跟前聞了又聞，最后才說道：「給我來四盎司，親愛的太太，半鎊也行。

農(nóng)婦原來以為找到了好買主呢，她把小裁縫要的那一點點果醬如數(shù)秤給他之后，就氣呼呼地嘟噥著走了。

「愿上帝保佑，小裁縫嚷嚷道，「這些果醬能給我?guī)砗梦缚凇?/p>

他從柜子里拿出麵包，切了一片下來，把果醬涂在上面。「我心里有數(shù)，不會不可口的，他說，「不過我得先做完這件背心再吃。

於是，他把涂了果醬的麵包放在身旁，繼續(xù)縫了起來，心里感到美滋滋的，針腳就一針比一針大了。這時，果醬香甜的氣味招引來了一群聚在墻上的蒼蠅，它們紛紛落在麵包上，要品嚐一下這美味佳餚。

「哪有你們的份啊？小裁縫說著把蒼蠅趕跑了。蒼蠅才不理睬他說了甚么，怎么也不肯走，於是落在麵包上的蒼蠅越來越多了。這下子，小裁縫火冒三丈，隨手抓起一條毛巾，朝著蒼蠅狠命地打了下去，打死了整整七只蒼蠅，有的連腿都給打飛了。

「你可真了不起！他說道，不禁對自己的勇敢大加讚賞，「全城的人都應(yīng)該知道你的壯舉。說罷，小裁縫風(fēng)風(fēng)火火地為自己裁剪了一條腰帶，縫好后，在上面繡了幾個醒目的大字：「一下子打死七個！「不僅僅是全城，他突然喊了起來，「還得讓全世界的人都知道！說到這兒，他的心激動得歡蹦亂跳，活像一只小羊羔的尾巴。

小裁縫把腰帶系在腰間，打算出去闖世界，因為在他看來，憑著他的英勇無畏精神，再留在小小的作坊里，就大材小用啦。動身前，他四下里搜尋了一番，看看有沒有值得帶上的東西，卻只發(fā)現(xiàn)了一快陳干酪，就隨手裝進(jìn)口袋里。在門前，他發(fā)現(xiàn)灌木叢中絆住了一只小鳥，便捉來放進(jìn)裝干酪的口袋里。

隨后，他得意洋洋地上了路。由於個子矮小，他身輕如燕，走起來一點兒也不感到累。走著走著，來到一座大山上。他到了山頂一看，發(fā)現(xiàn)一個力大無比的巨人正坐在那兒，悠然自得地環(huán)顧左右。小裁縫壯著膽子走到巨人跟前，跟他打招呼：

「你好，伙計。你坐在這兒眺望大世界，是吧？我正要去闖闖世界咧，怎么樣，有沒有心思跟我一快兒去？

巨人輕蔑地瞟了他一眼，扯著嗓子對他說：「你這個小可憐蟲！弱不禁風(fēng)的小癟三！

「啊哈，你這么小看我，是嗎？你再往這兒瞧瞧！小裁縫回答道。說著解開上衣，露出腰帶來給巨人看。「你念一念就知道我是何等人啦。

巨人念了起來：「一下子打死七個。以為這位裁縫一下子打死的是七個人，心里不禁對小裁縫產(chǎn)生幾分敬意。不過，他決心要和小裁縫先試試身手，於是，就揀起一快石頭來，用手使勁一捏，捏得石頭滴出了水。

「要是你真有力氣，巨人說，「也來這么一手吧。

「就這個呀？小裁縫說，「對本人來說，跟玩兒似的。說著把手伸進(jìn)口袋里，掏出那快軟綿綿的干酪來，輕輕一捏，乳汁就冒了出來。

巨人看了不知說甚么才好，卻懷疑這么個小人兒是不是真有那么大的力氣。隨后，他又揀起一快石頭來，朝空中猛地一拋，石頭飛得那么高，用肉眼幾乎看不見了。

「喏，巨人說，「可憐的小矮子，你也來一下。

「的確，扔得挺高，小裁縫回敬道，「可是你扔的那快石頭還是掉回到了地上。本人給你露一手，扔出去就不會再掉回來。

說罷，他從口袋里把那只小鳥抓出來，往空中一扔。重獲自由的小鳥歡歡喜喜地飛走了，頭也不回地一下便無影無蹤。「喂，伙計，這一手還行吧？小裁縫問道。

「我不否認(rèn)，扔?xùn)|西你還行。巨人回答說，「現(xiàn)在我再瞧瞧你能不能扛動沉重的東西。

他把小裁縫領(lǐng)到一棵已砍倒在地的大橡樹跟前。「你要是真有力氣，就幫我把這棵樹從林子里抬走。

「好的，小裁縫說，「你扛樹干，我扛樹枝，這樹枝可是最難弄的呀。

巨人扛起樹干，小裁縫卻坐在了一根樹枝上面。巨人沒法回頭看，不得不整個扛著大樹，還扛著坐在樹枝上的小裁縫。

小裁縫坐在后面，心曠神怡，快樂地吹著口哨，還唱了幾句「三個裁縫騎馬出了城這首歌，抬樹對他來說彷彿就是一場游戲而已。

巨人扛著沉重的大樹走了一段路程，累得上氣不接下氣，嚷嚷著說他再也走不動了，必須把樹放下來。

小裁縫一下子跳了下來，用兩只胳膊抱住樹身，做出一副一路上抬著大樹的樣子，接著對巨人說，「虧你這么個大塊頭，連棵樹也扛不了！

他們一快兒往前走著，來到一棵櫻桃樹前，樹冠上掛滿了熟透的櫻桃。巨人一把抓住樹冠，拉低后遞給小裁縫，讓他吃個夠。可小裁縫哪有這么大的力氣抓住櫻桃樹呢，巨人一松手，樹就忽地一下直起了身，小裁縫也隨著被彈到了空中。

小裁縫安然落地，巨人嚷嚷道：「咳！你連抓住這么一根小樹枝的力氣也沒有啊？

「這和力氣有何相干！小裁縫回答說，「本人一下子能打死七個，你以為我連根小樹枝都抓不住嗎？林子里有個獵人要朝我開槍，我才急急忙忙跑過樹頂。你要是有能耐，跳給我瞧瞧。

巨人試了一下，卻沒能跳過去，而被掛在了枝丫間。這樣一來，小裁縫又佔了上風(fēng)。

於是，巨人說：「你是一個了不起的小勇士，就請你到我的山洞里去過夜吧。

小裁縫很愿意，就跟著他去了。他們來到洞中，只見還有一些巨人圍坐在火堆旁，個個手里拿著一只烤羊，像吃麵包似的在吃著。小裁縫心想：「這兒可比我的作坊好多啦。巨人指給他一張床，叫他躺下休息。可這張床對小裁縫來說，實在是太大了，他沒有躺在床中間，而是爬到了一個角落里。半夜時分，那個巨人以為小裁縫睡熟了，抓起一根大鐵釘，照準(zhǔn)床上猛地紮了下去，以為把這個小蚱蜢給解決了。

第二天拂曉，巨人們動身到林子里去，把小裁縫忘得一乾二凈。小裁縫仍然像往常一樣活蹦亂跳，無憂無慮，朝他們走去。巨人們一見，以為小裁縫要打死他們，個個嚇得屁滾尿流，拔腿就跑。小裁縫呢，繼續(xù)趕他的路，一直往前走去。

走了很久，小裁縫來到一座王宮的院子里。這時，他已累得精疲力盡，便倒在地上睡著了。他正躺在那兒睡的時候，不少人過來，看見了他腰帶上繡的字：「一下子打死七個！「哎呀！他們心想，「這一定是位了不起的英雄。和平時期他到這里來干甚么呢？他們立即去向國王稟報，說一旦戰(zhàn)爭爆發(fā)，此人大有用場，千萬不能放他走呵。

國王很讚賞這個主意，便差了一位大臣去找小裁縫，等他一醒來，就請他在軍隊里效力。這位使者站在一旁，眼睜睜地看著熟睡中的小裁縫，直等到小裁縫伸了伸懶腰，慢慢睜開了雙眼，才向他提出請求。

「我正是為此而來的，小裁縫回答說，「本人很愿意為國王效勞。

他於是受到了隆重的接待，得到了一處別緻的住所。可是其他軍官卻很妒嫉，巴不得他早點兒遠(yuǎn)遠(yuǎn)地離開這里。「要是我們和他打起來，他們交談著，「他一下子就能打死我們七個，這可怎么是好呢？我們一敗涂地呀。后來，他們決定，一快兒去見國王，提出集體辭職。「我們這號人吶，他們跟國王解釋說，「無法和一位一下子就打死七個人的大英雄共事。

因為一個人而要失去所有忠心耿耿的軍官，國王感到十分難過，希望壓根兒就沒見過這個小裁縫，巴不得能早早把他打發(fā)走。可是，國王卻沒有這個膽量把他趕走，擔(dān)心小裁縫把他和他的臣民都打死，自己登上王位。他絞盡腦汁，冥思苦想，終於想出一個主意。他派人去告訴小裁縫，說小裁縫是一位出類拔萃、英勇無畏的英雄，因此希望向他做如下提議：

在他的領(lǐng)地上，有一座大森林，林中住著兩個巨人，他們倆燒殺搶劫無惡不作，為害極大，可是至今卻沒有誰敢冒生命危險去和他們較量。要是小裁縫能制服和殺死這兩個巨人，國王就答應(yīng)把自己的獨生女兒許配給他，并賜給他半個王國，而且還準(zhǔn)備給他派去一百名騎士，為他助陣。

「對你這樣一個人來說，這是多么大的鼓舞呀，小裁縫心里想道，「一位漂亮的公主，還有半個王國，真是千載難逢的好機會啊。

於是，他回答說：「當(dāng)然可以啦，我去制服那兩個巨人。那一百名騎士嘛，我并不需要他們。我這樣一個英雄，一下子能打死七個，那兩個怎么會是我的對手呢。

小裁縫出發(fā)了，后面跟著一百名騎士。他們來到森林前，他對這些騎士說：「你們就呆在這兒，我一個人去收拾那兩個傢伙。說罷，他獨自跑進(jìn)了林中，一邊走著，一邊環(huán)顧左右。沒多大一會兒，就發(fā)現(xiàn)了那兩個巨人。他們倆躺在一棵大樹下正睡覺呢，鼾聲如雷，樹枝都快被震掉了。小裁縫忙著把兩個口袋裝滿石頭，然后爬到樹上。爬到一半時，他悄悄地攀上一根樹枝，樹枝下邊就是那兩個熟睡中的巨人的腦袋。接著，他把石頭接二連三地朝一個巨人的胸口使勁砸下去。這位大傢伙有好一會動也不動一下，后來終於醒了，用力推了推身邊的同伴，問道：「你干嘛打我？

「你在做夢吧，另一個回答說，「誰打你來著？

說完，他們倆又躺下睡了。這回，小裁縫把一塊石頭朝第二個巨人砸了下去。

「干甚么？第二個嚷嚷起來，「干嘛拿石頭打我呀？

「我沒有哇。第一個咆哮著回答說。

他們爭吵了幾句，卻因為感到困乏，又閉上眼睛睡了。小裁縫呢，故伎重演，選了一塊最大的石頭，朝第一個巨人狠命砸了下去。

「這太不像話啦！第一個巨人吼了起來。他瘋了一樣地從地上一躍而起，把他的同伴朝樹上猛地一搡，撞得大樹都搖晃起來了。第二個分毫不讓，以牙還牙，兩個傢伙怒不可遏，把一棵棵大樹連根拔起，朝著對方猛扔過去，最后他們兩敗俱傷，都倒在地上死了。

小裁縫立即從樹上跳了下來。「真是萬幸，他說道，「他們沒有拔掉我剛才上的那棵樹。

說罷，他拔出劍來，在每個巨人的胸口上猛刺一劍，然后他走到那些騎士面前說：「完事了，那兩個巨人都被我給解決了，可真是一場驚心動魄的遭遇呀。他們見勢不妙就把大樹連根拔起進(jìn)行頑抗，當(dāng)然啦，面對本人這樣一下子能打死七個的英雄，那是徒勞的。

騎士們策馬跑進(jìn)森林一看，兩個巨人躺在血泊之中，四周還有連根拔出的大樹，這才相信了小裁縫的話。

返回后，小裁縫要求國王把答應(yīng)給他的獎賞賜給他，國王卻后悔了，又左思右想，考慮怎樣才能把小裁縫打發(fā)走。

「你在得到我的女兒和半個王國之前，他說，「必須再完成一個壯舉。在那座森林里，有一頭危害很大的獨角獸，你必須把它捕捉住。

「兩個巨人我都沒怕，一頭獨角獸又有甚么可怕的呀。小裁縫吹噓道。

小裁縫帶著一根繩索和一把斧頭便動身去了森林，告訴他的隨從們在森林外等著。他沒找多大功夫，便發(fā)現(xiàn)那頭獨角獸就在眼前，并且正向他直沖過來。

他紋絲不動地站在那里，等獨角獸逼近了，敏捷地一下子跳到樹后。獨角獸發(fā)瘋似的朝大樹撞過來，把角牢牢地戳進(jìn)了樹干里，怎么拔也拔不出來，就被捉住了。

「伙計，這回我可逮住你啦，小裁縫從樹后轉(zhuǎn)出來后說道。他用那根繩索把獨角獸的脖子捆了起來，然后用斧頭劈開樹干，松開獸角，牽著獨角獸回去見國王。

誰知國王還是不肯把答應(yīng)給小裁縫的獎賞賜給他，又提出了第三個條件。他必須再到森林里去把一頭危害很大的野豬逮住，然后才舉行婚禮。

「我很樂意去，小裁縫回答說，「逮住一頭野豬那還不是跟玩兒似的。

野豬一見小裁縫，就口里冒著白沫，咬著牙，朝他猛沖過來，想一頭把他撞倒在地。誰知勇敢的小裁縫敏捷地跳進(jìn)了旁邊的一座小教堂，眨眼之間，又從窗口跳了出去。野豬追進(jìn)了教堂，小裁縫從教堂后面幾步跑了過來，把門關(guān)住，氣勢洶洶的野豬又重又笨，沒法從窗口跳出去，就這樣被擒住了。

然后，勇敢的小裁縫去見國王，告訴他說，愿意也罷，不愿意也罷，他這次必須信守諾言，把他的女兒和半個王國賞賜給他。

他們的婚禮隆重舉行，歡笑卻很少。不過，小裁縫還是當(dāng)上了國王啦。

不久，年輕的王后在一天夜里聽見丈夫說夢話。小裁縫在夢中大聲地嚷嚷著：「徒弟，快點兒把這件背心縫好，再把這條褲子補一補，不然我就讓你的腦袋嘗嘗尺子的厲害。這樣一來，她便弄清了她的君主和丈夫是甚么出身。第二天一早就對父親大發(fā)牢騷，抱怨國王給她選擇的丈夫只不過是一個下賤的裁縫。

國王安慰她說：「今天晚上，你打開化妝室的門，我派侍從守在外邊，等他睡著了，我的侍從就悄悄地進(jìn)去把他捆起來，然后放到一艘船上，把他送到天涯海角。

勇敢的小裁縫范文2

走過了春風(fēng)吹綠波浸滿花香的日子，走過了夏日灼古道潑灑汗水的日子，走過了秋月照高林遙望故鄉(xiāng)的日子，也走過了冬雪滿畫樓快雪時晴的日子。就這樣，走過了春紅夏翠秋金冬銀的日子，走過了喜怒哀嗔愛恨情仇的日子，可是輪回，終又回到這個春去秋來的盛夏，用一如既往的熱情催化著世間的一切，卻又讓人措手不及。

是不是童話中的愛情總是完美的？是不是安徒生的生命中有數(shù)不盡的流星雨，所以，才有了那么多的唯美和浪漫？我們一直在前進(jìn)，只是不知道結(jié)局，就像蒲公英隨風(fēng)飄蕩，我們終究只是在愛情的路上流浪，那些曾經(jīng)路過的、遇到的、錯過的，過去了便是過去了，也許，待到駐足時再想到從前，卻都化作了溫馨。

是不是所有完美的愛情，最終的結(jié)局都是勇敢的王子牽手美麗的公主？可是，在每一個清晨和黃昏透過切斯曼廣場默默注視城堡中那個身影的小裁縫阿爾塞斯，他的結(jié)局，為什么會讓我有一種心痛的感動？

“世界上最悲哀的故事，就是當(dāng)我遇到你時，你成了公主，而我，卻不是王子。”

海倫之衣的故事，有著凄美的結(jié)局，又何嘗不是唯美的愛情。只是，無奈的過程終究注定了悲傷的結(jié)局。我們不是安徒生，生活也不是童話，那些雪亮的散發(fā)著清純氣息的水晶鞋，只有在偶爾的夢中，抑或是在幻想的天空中出現(xiàn)，卻從不會是屬于我們。

勇敢的小裁縫范文3

[關(guān)鍵詞]賈樟柯　電影　漂泊　溫州情結(jié)

一、漂泊主題

“一般而言，在某種意義上，我們可以說所有的電影都是人類學(xué)電影：他們都是反映人和人的生活的。”賈樟柯電影《世界》里，成太生騎著毛色斑雜的白馬在世界公園里夜巡時，從這一場景來講，影片這個設(shè)置便是反映了一種人類學(xué)的概念，這恰恰再現(xiàn)了這類人和這類生活的凄然落寞的悲涼況味。一個看似是孤膽英雄的無助的人，一匹孱弱的老馬，在虛妄的世界里無聊地巡視和追尋，再執(zhí)著，再癡迷，仍是沒有彼岸可靠。這是多徹底的冷漠和決絕，恐怕只有在費里尼的電影里能偶爾見上幾面。不必說這是一種怎么樣的后現(xiàn)代情緒，賈樟柯當(dāng)然深諳這些，但他在被別人帶上的某個帽子下面，其實他最想說的還是些別的，比如，漂泊，抗?fàn)帲讌f(xié)，愛，還有死。

作為第六代導(dǎo)演的杰出代表，賈樟柯的電影主題無疑是最人文化和最貼近現(xiàn)實又融入靈魂的，一路走來，其間的視角總是關(guān)乎最底層的生存狀態(tài)、最隱秘?zé)o聲的世態(tài)炎涼。最底層的人為求生存勢必漂泊，賈的電影便就是以漂泊主題一以貫之，像一線串珠。從《小武》開始，《站臺》、《任逍遙》、《世界》，還有《三峽好人》等等，里面卑微的人都是風(fēng)塵仆仆、兩腳倔強堅持地走著，許是為了夢想，更多的可能僅僅只是為自己的過往做個脆弱的了結(jié)。有人說，是賈樟柯發(fā)現(xiàn)了中國的縣城和縣城里的那些在夢想中掙扎的靈魂。這是對的，但恐怕也只對了一半。縣城把鄉(xiāng)下和都市連接起來，極像一個中轉(zhuǎn)站，各色匆匆的人匯集到這里，有喧嘩聲，有哭泣聲，有疲憊的笑，還有一些小奸小惡和難免的世事不測――于是，這里儼然已經(jīng)是一個江湖。《站臺》里那個大胡子胖團(tuán)長不就說過嗎，“吃這碗飯難免受點制”，他說完后，一陣塵土飄來，人在畫面里都像是飄零的，看著有些恍惚，這樣的長鏡頭無疑有種悲憫的味道。

生存和影像江湖中完全不缺少刀光劍影、拋頭顱灑熱血，但賈樟柯的江湖無意于這些虛張聲勢的東西，幾個長鏡頭，幾組定格，一大段手足無措的沉默，一種更具內(nèi)蘊的抗?fàn)幓瞵F(xiàn)出來，用這些推動情節(jié)、表現(xiàn)主題，賈樟柯用得才更得心應(yīng)手。太擁擠了的江湖是五湖四海人的江湖，里面的人都是不安于現(xiàn)狀的，他們都有自己的聲音，眾聲喧嘩。而眾聲喧嘩恰像一種厚重的悲戚，盡管悲戚也是疲憊的悲戚，人群里彌漫的是漂泊路上的嘆息和風(fēng)塵味。

二、溫州情結(jié)

說到漂泊，溫州要算得上這漂泊族的老大哥了，溫州的人和物分明成了俗世生活中的一個標(biāo)識，它所滲透的地方，甚至到了一個叫做汾陽縣城的角落。賈樟柯的電影里，我們很容易就發(fā)現(xiàn)賈樟柯不經(jīng)意的“溫州情結(jié)”，在《站臺》和《小武》里，他或讓“溫州發(fā)廊”的招牌出現(xiàn)在嘈雜的街景中，或者干脆就讓故事的主人公到“溫州發(fā)廊”去理發(fā)，那些男人的爆炸頭，那些女人的卷發(fā)都出自溫州人之手，溫州人能觸及到了他們的精神，這不敢說，但至少把他們的外在變化了，一個新發(fā)型能讓人覺得新鮮，覺得生活偶爾也是因為一些改變而閃些光的，這已夠了。我想，在大多數(shù)的中國人的記憶里，上個世紀(jì)七八十年代那個黑白灰的時代里，“溫州發(fā)廊”肯定是無法抹去的一抹亮色，而當(dāng)賈樟柯近乎野心勃勃地要將《站臺》拍成一部普通人的史詩，講述一個胎動時代劇烈變化的時候，”溫州發(fā)廊”毫無疑問地投射到他所還原的歷史場景中去。這一點，賈樟柯可謂是杰出的，深切的人文關(guān)懷和悲憫情緒讓歷史富有人的氣息，而不是政治的冷面和權(quán)勢的迷狂，而能不溫不火做到這些，且做得這么一針見血、韻味十足的，放眼華語影片，也許只有侯孝賢了。

從另外一種意義上來講，“溫州發(fā)廊”便是“溫州”或“溫州人”在過去經(jīng)濟(jì)改革中的一個鮮明而貼切的符號，這個符號是種象征，更是腳踏實地的一部分生活。太多人從那里走過來，其感受之深恐怕比鄧麗君的

“美酒加咖啡”更難以磨滅，畢竟這是關(guān)于自己的，哪怕僅是裸的物質(zhì)外在。賈樟柯當(dāng)然也是從那部還未來得及寫出的編年史中走過來的，那些江浙人、溫州人，那時的一些盜版碟片，一些新潮的有些花里胡哨的東西，都是值得念念不忘的。從這個基點出發(fā)，和“溫州模式”、“溫州人精神”這種來自于官方理論界的歷史階段性總結(jié)不同的是，賈樟柯用最貼近人心的方式恢復(fù)了經(jīng)歷過那個時代的人的本能記憶，那記憶在電影畫面或作為一個故事場景在廣播、電視同期聲中輪番呈現(xiàn)，其意義和風(fēng)味都是一樣的，都是那個時代的一尾余聲，其激情和苦痛都是真切的。里面的人痛時你自己也痛了，傷疤投射到大銀幕上，影片成了緬懷，更是悲憫過去。

勇敢的小裁縫范文4

高空跳傘，許多年輕人都未必敢，但有的老年人卻喜歡嘗試這種刺激。

4月14日，一名“膽大包天”的英國老婦以104歲的高齡參加滑翔傘運動，從北塞浦路斯2400英尺的高空跳下，成為最年長的滑翔傘運動參與者。她還準(zhǔn)備在5年內(nèi)第二次晉身《吉尼斯世界紀(jì)錄大全》。

104歲高齡出行靠輪椅

麥卡爾平出生在英國斯特靈，退休前是名會計，2004年移居塞浦路斯。她有2個女兒、4名孫輩和2名重孫輩，經(jīng)歷過兩次世界大戰(zhàn)、5任英國君主和26任首相，她還與“泰坦尼克”號海難的一名幸存者成為好友。麥卡爾平從年輕時就對“挑戰(zhàn)高度”充滿興趣，上世紀(jì)20年代第一次坐飛機時，她興奮不已。

80歲時，孫輩和麥卡爾平聊起蹦極，她自此對極限運動產(chǎn)生興趣。回憶起那次蹦極經(jīng)歷，她說：“我來到蹦極點，看到下面的人像螞蟻一樣小，有點揪心。不過我告訴自己不能停下來，于是走上蹦極臺，鼓起勇氣，一躍而下。”

這一回，麥卡爾平的跳傘地點選在塞浦路斯北部海拔731.5米的凱里尼亞山，時間是4月14日。她讓人把整個跳傘過程錄像，之后上傳至視頻共享網(wǎng)站。

麥卡爾平行動不便，出行需要坐輪椅。視頻中，她身穿紅色跳傘服，雙手戴著藍(lán)色露指手套，被送到跳傘地點。跳傘時，她戴著白色頭盔，面帶微笑，一會兒伸出右手，向攝像機鏡頭打招呼，一會兒伸出左手大拇指，做出“很棒”的手勢。成功降落后，兩名工作人員立刻上前攙扶。

英國《星期日快報》4月29日援引她的話報道：“我享受跳傘過程的每一分鐘。這次比上次（跳傘）感覺還好。”跳傘成功后，麥卡爾平與家人、朋友和3名見證人喝香檳慶祝。

挑戰(zhàn)高度還懂“作秀”

雙人滑翔傘指兩人共用一具傘，由一名專業(yè)教練帶著體驗者乘傘降落。整個過程由教練員操作，以確保降落傘安全打開。

據(jù)幫助麥卡爾平跳傘的“高空旅游”滑翔傘公司工作人員安杰拉?格卡尚介紹，此次麥卡爾平的跳傘教練叫厄茲居爾?格卡尚，跟上次相同。“能再次帶她跳傘我們非常高興……她是相當(dāng)令人驚訝的一位女士。”安杰拉說。

2007年，麥爾卡平以高空跳傘方式慶祝自己的100歲生日，并被載入吉尼斯世界紀(jì)錄，成為“雙人滑翔傘最老女性參與者”。

2011年9月1日，同樣為慶生，美國猶他州101歲女子瑪麗?艾倫?哈迪森玩雙人滑翔傘，打破麥卡爾平的紀(jì)錄。今年3月20日，吉尼斯世界紀(jì)錄認(rèn)證機構(gòu)宣布把哈迪森的名字收入《吉尼斯世界紀(jì)錄年鑒》。

麥卡爾平此次跳傘意在衛(wèi)冕。她的女兒伊麗莎白?福賽思事后接受美國微軟―全國廣播網(wǎng)采訪時說，“如果那位美國女士沒有打破紀(jì)錄”，麥卡爾平本打算“待在地面”，到105歲時再跳傘。

現(xiàn)在，麥卡爾平打算以再次被載入吉尼斯世界紀(jì)錄慶祝自己的105歲生日。她說，已做好再次跳傘的準(zhǔn)備，“特別是在有人打破自己紀(jì)錄的情況下”。

鏈接>>>

那些愛“飛”的老人們

2009年9月19日，來自美國的新罕布什爾州的簡?博克斯特拉克在家人和朋友的注視下，從13000英尺的高空躍下，慶祝自己92歲的生日。

博克斯特拉克的一生精彩紛呈，先后結(jié)過7次婚，環(huán)游世界，從事過數(shù)十種職業(yè)，包括旅館接待員和郵遞員，甚至還在約翰?韋恩主演的電影《大地驚雷》劇組中當(dāng)過一陣子裁縫。

如今已是曾祖母級人物的她突發(fā)奇想，堅持要完成一次高空跳傘。聞聽這一消息，她的家人和朋友極力勸阻，但多番勸說也沒能挽回博克斯特拉克的決心。最終，這位老人在家人和朋友們的注視下，乘坐飛機，來到馬薩諸塞州波士頓西部的奧蘭治上空，準(zhǔn)備完成這一心愿。

當(dāng)?shù)孛嫔系娜藗冹话仓H，博克斯特拉克卻顯得十分鎮(zhèn)定，她與跳傘教練保羅?派克漢共用一頂降落傘，兩人通過專業(yè)裝備綁在一起，下降過程中，博克斯特拉克在下面，派克漢在上面，同時派克漢要負(fù)責(zé)打開降落傘。在機艙門口反復(fù)確認(rèn)跳傘要領(lǐng)后，兩人縱身一躍，撲向藍(lán)天，開始了一段刺激的旅程。

老人在空中十分冷靜，她還提醒教練派克漢別忘了打開降落傘。當(dāng)她安全地從13000英尺的高空降落地面時，親朋好友簇?fù)矶粒置δ_亂，直到確認(rèn)老人毫發(fā)無損，大家才松了一口氣。

派克漢說，博克斯特拉克是他指導(dǎo)過年齡最大的跳傘選手，他對她的表現(xiàn)充滿敬意。遺憾的是，飛身一躍后的博克斯特拉克并不記得當(dāng)時跳出飛機的情形，這位勇敢的老婦過于興奮，甚至忘掉了自己選擇和堅持這種慶祝生日方式的理由。

身體硬朗，健步如飛的博克斯特拉克還透露了長壽的秘訣：永遠(yuǎn)保持對事物的好奇心。

在英國，也有不少老人都喜歡用跳傘來慶祝生日。2009年4月4日，英國傳奇老翁喬治?莫伊西就拿高空跳傘當(dāng)做了自己的生日禮物，年滿98歲的他和孫子一起身背降落傘，從飛行高度10000英尺的飛機上縱身跳下，成功完成驚險旅程。

在最初下墜的5000英尺里，莫伊西和孫子兩人并沒有打開降落傘，而是以每小時120英里的速度自由降落，兩人還不時在空中做出空翻等高難度動作。直到降落傘打開后，他們開始平緩下落，最終安全抵達(dá)索爾茲伯里平原。完成這一行動，使得莫伊西非常開心，“非常有趣的一件事，我真的很享受這種樂趣，我一點兒都沒有害怕。這是我的第一次，但不是最后一次。”莫伊西說。

據(jù)莫伊西的親朋好友透露，選擇跳傘來慶祝生日完全是老人的個人主意。除了為生日慶祝之外，畢生都在支持英國救生艇協(xié)會的莫伊西，也希望能通過這次跳傘活動為該協(xié)會籌集到一些善款。

勇敢的小裁縫范文5

連南瑤族自治縣位于粵北山區(qū)西北部，是全國最大、最古老的排瑤聚居區(qū)。這里的瑤族人民創(chuàng)造了豐富多彩的獨特的文化和藝術(shù)。其中刺繡是其藝術(shù)寶庫中的一朵奇葩，瑤族刺繡蘊涵著人與自然和諧相處的精神，與現(xiàn)代人追求自然、原始、純真的心理狀態(tài)不謀而合，它是瑤族人民在長期的勞動生活中創(chuàng)造、積累而成的。其五彩斑斕、色彩奪目的刺繡圖案，均取材于生活，如飛禽走獸，流水行云，山花野草，纏藤攀蔓，各種大自然的奇異景物都可以融入到刺繡中。在瑤山中流行著這樣一句趣話：“瑤家莎腰（姑娘）愛繡花，不會繡花找不到婆家。”瑤族婦女擅長刺繡也愛刺繡，無論是田間地頭還是堂內(nèi)屋前，只要有空閑時間，她們都會拿出隨身攜帶的工具進(jìn)行繡制。刺繡完全成為瑤族婦女生活的一部分，也成為了瑤族文化的重要組成部分。但是隨著經(jīng)濟(jì)的發(fā)展，時代的進(jìn)步，瑤族人民的生活日趨現(xiàn)代化，這些具有民族特色的瑤族刺繡在一定程度上悄然流失。保護(hù)與傳承瑤族特有的文化和藝術(shù)顯得相當(dāng)迫切。作為培養(yǎng)山區(qū)瑤族孩子的全寄宿制學(xué)校把瑤族刺繡融入教學(xué)中，把刺繡作為校本課程的一部分，有一種近水樓臺、順應(yīng)民情的優(yōu)越性。是為繼承和發(fā)揚傳統(tǒng)的優(yōu)秀民族文化，激發(fā)民族自尊心，培養(yǎng)學(xué)生對民族文化、民間藝術(shù)的興趣、情感和審美能力的途徑之一，也是實施素質(zhì)教育的有效方式。

二瑤族刺繡工藝具有獨特的審美價值

（一）品種繁多，用料質(zhì)樸

瑤族刺繡品常見的有花袋、花帽、頭帕、腳綁、香袋、裙等。這些工藝品均用棕黑色的棉布、麻布為襯底，以各種彩色絨線為料，用三寸長的繡花針，刺繡出各種圖案。

（二）題材廣泛，取之生活

刺繡在選材上多選取自然界中的萬事萬物，取材于生活。如刺繡中的衣領(lǐng)多選取“風(fēng)車、太陽、高山、魚骨、松果”紋之類的圖案；衣裙多選取“稻穗紋、兩邊小鳥頭形紋、馬紋、波浪紋”等之類的圖案；瑤袋多選取“森林紋（螃蟹鉗形紋）、拱蛇形紋、8字紋、菱形紋”等之類的圖案；腳綁多選取“籬笆紋、雞籠紋”之類的圖案。圖案紋樣至今保留著新石器時代的彩陶魚紋；漢代的畫象磚和瓦當(dāng)中的幾何紋，有方形、水紋形、之字形等，由此形成了極其豐富的內(nèi)容和形式。穿插于其間的是瑤族人民對生活的無限熱愛和對美好、吉祥的深切向往。

（三）針法多樣，大膽用色

瑤族刺繡工藝的刺繡針法有很多種，包括錯針繡、亂針繡、網(wǎng)繡、疊針繡等。色彩選用的多是純色（紅、黃、藍(lán)、青、白），以一色調(diào)為主，采用對比色。色彩中的配色、拼色、接色、傳承、分割和結(jié)合都是瑤族同胞在勞動中自然形成的，但與它所表現(xiàn)的客觀存在和形體內(nèi)在要求的銜接又是如此的自然、協(xié)調(diào)。刺繡中的色彩是瑤族人民傳達(dá)自我情感的主要表現(xiàn)形式，集中了瑤族同胞的人氣和才氣，顯示了瑤族人民淳樸、奔放、真摯的審美情趣。那率真、質(zhì)樸的用色方式能給人帶來強烈的視覺享受，使人感受到瑤族人民樂觀的生活態(tài)度。

（四）線形簡潔，圖案純美

瑤族刺繡中的圖案均為二方連續(xù)（以魚紋、幾何紋、菱形紋等為單獨紋樣，似有種圖騰的感覺，富有濃厚的裝飾美），以黑色底布最為普遍（也有以白布為底）。有的黑底白花，有的則以黑底彩線為主。形式上圖案主要是由點、線、面構(gòu)成，點可以是各種形狀的點，線也可以是多種多樣的線，如粗線、細(xì)線、直線、曲線，各種線同時使用，加上間隔的變化，線的形式之豐富多彩，千變?nèi)f化，各具特色，同樣面的變化也是美不勝收的。

三因地制宜開展瑤族刺繡工藝教學(xué)

在教學(xué)過程中，因勢利導(dǎo)，有組織、有計劃地開展瑤族刺繡教育活動，正確處理繼承傳統(tǒng)和創(chuàng)新發(fā)展的關(guān)系，使我們的瑤族刺繡在繼承的基礎(chǔ)上得到延伸與發(fā)展。

（一）深入生活探求刺繡本源

在課外活動教學(xué)形式上，首先利用節(jié)假日讓學(xué)生在家鄉(xiāng)了解瑤族刺繡的歷史，參觀盤王廟等民間藝術(shù)展覽及刺繡作品，讓他們在奪目的刺繡色彩效果和強烈的視覺沖擊中激發(fā)內(nèi)心的原創(chuàng)力。其次請一些刺繡巧手來講述她們刺繡作品的創(chuàng)作起因，創(chuàng)作過程，并演示，使學(xué)生感受那一針一線刺繡下的是瑤族同胞們的愿望和對美的追求、對生活的熱愛，讓學(xué)生從熱愛家鄉(xiāng)開始培養(yǎng)愛國情懷，形成樂觀豁達(dá)的性格。再次讓學(xué)生到學(xué)校圖書室借閱《可愛的連南》、《瑤族風(fēng)情》等書籍，學(xué)習(xí)和了解瑤族的風(fēng)土人情，繼承瑤族人民樸實、善良、勤勞的品質(zhì)，熱愛生活，做生活中的有心人。對初學(xué)者要教會他們認(rèn)識布紋的橫縱走向，再通過對刺繡圖案的鑒賞及臨繡，掌握對本刺繡圖案的針法，然后借鑒各種圖案進(jìn)行臨摹演變作業(yè)，在臨摹演變的過程中，引發(fā)學(xué)生自己去聯(lián)想、體驗，進(jìn)行一些創(chuàng)造，另外，還把學(xué)生好的刺繡紋樣用裝飾繪畫、壁掛（毛繡）、剪紙等形式表現(xiàn)出來。這樣學(xué)生很快進(jìn)入到創(chuàng)造者的角色，以提高信心，增加興趣。

（二）借助兒歌、故事激發(fā)興趣

兒歌、故事具有趣味性，能夠活躍課堂氣氛，激發(fā)學(xué)生的創(chuàng)造性思維，且淺顯易懂，便于記憶。刺繡是枯燥乏味的，為了使它變得生動有趣，提高學(xué)生的興趣，我們將刺繡針法編成兒歌，如：“挑三壓三挑三壓三再挑三……”溶入到刺繡活動中，寓游戲于教學(xué)中，使它們有機結(jié)合，化繁為簡，變抽象為形象，訓(xùn)練學(xué)生的反應(yīng)能力與思維的敏捷性，使學(xué)生的思維力和想象力得以充分的體現(xiàn)。在瑤鄉(xiāng)多數(shù)刺繡的紋樣都有著各種各樣耐人尋味的奇聞趣事，在刺繡過程中講解，在一起說說笑笑的刺繡過程中始終興趣盎然、意猶未盡，積極性、主動性得到充分的發(fā)揮；學(xué)生的性格開朗了、表現(xiàn)欲望強烈了、自信心也增強了；不僅培養(yǎng)了學(xué)生之間的合作能力，更讓學(xué)生在體驗成功、享受快樂的同時培養(yǎng)了堅忍不拔的意志與大膽勇敢的精神。

（三）創(chuàng)設(shè)情景感受刺繡之美

為了讓學(xué)生充分沐浴在瑤族刺繡藝術(shù)的海洋中，我們努力創(chuàng)設(shè)富有瑤族刺繡藝術(shù)特色的“活動室”、“展覽室”，在開展刺繡的特色活動中，創(chuàng)設(shè)相應(yīng)的民間藝術(shù)環(huán)境對學(xué)生感受藝術(shù)美有著重要作用。首先讓學(xué)生欣賞各種各樣的刺繡作品，如：多種材料繡成的衣裙、小孩刺繡帽、腳綁、繡花帶等，還結(jié)合音像資料讓學(xué)生感受刺繡帶來的美。讓學(xué)生沉浸在美麗而變化無窮的刺繡的氛圍中，充分感受到民間刺繡藝術(shù)的無限魅力，從而激發(fā)學(xué)生參與表達(dá)的強烈欲望。在師生、生生互動中，學(xué)生們以積極的情感和態(tài)度去掌握民間刺繡藝術(shù)知識和表現(xiàn)能力，逐漸體驗到了成功的樂趣，不僅增強學(xué)生的動手能力和合作能力，更讓學(xué)生在欣賞美、表現(xiàn)美的過程中提高了審美能力。